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Canaletto
Rome: Ruins of the Forum, Looking towards the Capitol d
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ID: 05633
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. Related Paintings of Canaletto :. | Greenwich Hospital from the North Bank of the Thames | named Canaletto Venetie, the Bacino Tue S. Marco on Hemelvaartsdag | The Grand Canal Seen from Rialto toward the North ff | View of a River, Perhaps in Padua df | the Old Horse Guards from St James-s Park | Related Artists: Eugene Buland1852-1927
French
Eugene Buland Locations Bartolome BermejoSpanish Early Renaissance Painter, ca.1405-1498 Andreas Achenbach(September 29, 1815 - April 1, 1910) was a German landscape painter.
Born at Kassel, he began his art education in 1827 in Desseldorf under Friedrich Wilhelm Schadow at the Desseldorf Academy of Painting. He studied at St Petersburg and travelled in Italy, Holland and Scandinavia.In his early work he followed the pseudo-idealism of the German romantic school, but on removing to Munich in 1835, the stronger influence of Louis Gurlitt turned his talent into new channels, and he became the founder of the German realistic school. Although his landscapes evince too much of his aim at picture-making and lack personal temperament, he is a master of technique, and is historically important as a reformer. The Chambers Biographical Dictionary says of him that "he was regarded as the father of 19th century German landscape painting."
A number of his finest works are to be found at the Berlin National Gallery, the New Pinakothek in Munich, and the galleries at Dresden, Darmstadt, Cologne, Desseldorf, Leipzig and Hamburg.
He died in Desseldorf.
His brother, Oswald Achenbach (1827-1905), was also a painter.
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